On the remnants of the free publicity of Madonna’s verbal mishaps at this year’s Ultra Music Festival in Miami, Cedric Gervais‘ controversially named ‘Molly‘ is given an extended shelf life courtesy of a heavyset remix from Holland’s Quintino.
Ditching the bleeps that pervaded his recent Wall Recordings release alongside Moti, Quintino swaps the acid backdrop of the Gervais original for fist-pumping moments and churning builds to complement the tedious vocal line. In spite of lacking in overall originality, Quintino’s spooky synths and hard-hitting beat work make for a crunchy remodel of Gervais’ stead out of the industry’s favourite narcotics cliché.
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- 23 May, 2013